{"id":6299,"date":"2022-09-01T14:08:21","date_gmt":"2022-09-01T08:38:21","guid":{"rendered":"https:\/\/globalmusicinstitute.in\/?p=6299"},"modified":"2022-09-01T14:08:21","modified_gmt":"2022-09-01T08:38:21","slug":"gmi-ahh-murder-in-space-is-a-welcome-push-for-math-rock-in-india","status":"publish","type":"post","link":"https:\/\/globalmusicinstitute.in\/v1\/gmi-ahh-murder-in-space-is-a-welcome-push-for-math-rock-in-india\/","title":{"rendered":"GMI x AHH | Murder in Space is a welcome push for math-rock in India"},"content":{"rendered":"

We’re excited to share the eighth piece from our collaboration with <\/i>A Humming Heart<\/a>, an independently run, reader-supported, Indian music publication. Together, we bring to you an assortment of all things music- reviews, interviews, industry trends, and more. Today, we are sharing Anurag Tagat’s<\/a><\/i>\u00a0piece ‘Murder in Space is a welcome push for math-rock in India<\/i>‘.<\/i><\/strong><\/p>\n

\n

When it comes to math-rock in India, maybe two handfuls of names pop-up\u2014Stuck In November, Breakdownpanda, Sky Level, Haiku-Like Imagination, Kraken, Hotaru and so on. Their own understandable disputes against being labelled math-rock remains, but that\u2019s not to say the pleasantly frenetic style of rock hasn\u2019t picked up.<\/p>\n

Out in Shillong, Sky Level gets another peppy instrumental rock counterpart in Murder In Space. Comprising guitarist Andrew Kamei and bassist Romeo Kom, who came together in 2019, the duo have now released their debut EP Welcome Home<\/em>. The record lives up to the math-rock ethos of keeping things sonically lofty, mostly wordless and always buoyant in some way or another.<\/p>\n

Kamei and Kom match rhythms and bounce off of each other\u2019s ideas throughout the span of six tracks. They follow in the footsteps of math-rock favourites like American Football and LITE but also modern more prog-informed acts like CHON and Plini. It\u2019s heard distilled to heartening level on their opening track \u2018Monsoon\u2019, which could just sweep up any listener\u2019s attention and take them on a journey that keeps one guessing.<\/p>\n

\u2018Rush\u2019 dials up the pace and the dominant mood\u2014making it more riff-led, but also measures out the adrenaline they want to throw in. It\u2019s got stomping intent, but often swerves into a happier, punk-like tempo, adding intrigue and repeat play value, if nothing else. Math-rock melodies are typically described as noodle-y or twinkling, and it\u2019s somewhat inescapable to term some of Murder In Space\u2019s music in that manner. \u2018Change\u2019, the first single that released ahead of the full EP, has more of that journeying sense\u2014with guitar layers and a solid bassline hogging all the action. It\u2019s likely that the drums are programmed\u2014and the robotic beats towards the end of \u2018Change\u2019 are a convincing indication\u2014but it doesn\u2019t take away from the dexterity of Kamei and Kom.<\/p>\n

The drums, if performed live, would have added a lot more character and given room to Murder In Space\u2019s sonic tales, but they navigate this decently. \u2018Band Practice\u2019 has that in-the-room energy with its twists and turns, while \u20182nd Wave\u2019 is paced differently compared to everything we\u2019ve heard before. The dissonance and sharp guitar melodies come together in an ebb and flow that\u2019s comforting in many ways. Murder In Space doesn\u2019t leave much room to guess where they\u2019re progressing on \u20182nd Wave\u2019, but there\u2019s angst and resilience as dominant moods (and an obscured vocal sample), in what is a likely nod to the pandemic. The drums and percussive elements on \u20182nd Wave\u2019 are vibrant as required and \u2018Home\u2019 is a short outro to the EP, built on guitar and bass loops as Kamei and Kom bow out.<\/p>\n

Welcome Home<\/em> is the kind of instrumental music you put on to feel at ease and maybe even escape. There are no hiccups along the way, with Murder In Space as the tour guides on this 18-minute journey. Released via Guwahati-based label No Binary, there\u2019s yet another significant push for math-rock from India, and few would have any complaints about Murder In Space.<\/p>\n","protected":false},"excerpt":{"rendered":"

We’re excited to share the eighth piece from our collaboration with A Humming Heart, an independently run, reader-supported, Indian music publication. Together, we bring to you an assortment of all things music- reviews, interviews, industry trends, and more. Today, we are sharing Anurag Tagat’s\u00a0piece ‘Murder…<\/p>\n","protected":false},"author":8,"featured_media":6301,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[440,513,591,590,46,592,593,594,596,595],"class_list":["post-6299","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","tag-a-humming-heart","tag-ahh","tag-anurag-tagat","tag-global-music-institute","tag-gmi","tag-math-rock","tag-murder-in-space","tag-rock","tag-rock-band","tag-rock-in-india"],"yoast_head":"\nGMI x AHH | Murder in Space is a welcome push for math-rock in India - Global Music Institute<\/title>\n<meta name=\"description\" content=\"We're excited to share the eighth piece from our collaboration with A Humming Heart, an independently run, reader-supported, Indian music publication. 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